{"id":54368,"date":"2025-03-10T04:08:56","date_gmt":"2025-03-10T04:08:56","guid":{"rendered":"https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/?p=54368"},"modified":"2025-08-19T06:59:35","modified_gmt":"2025-08-19T06:59:35","slug":"critical-reorientation-in-the-age-of-digital-technology","status":"publish","type":"post","link":"https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/critical-reorientation-in-the-age-of-digital-technology\/","title":{"rendered":"Critical Reorientation in the Age of Digital Technology & Critical Concepts Writing Workshop (CHCI Initiative)"},"content":{"rendered":"[et_pb_section fb_built=”1″ _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”Member Collaborative Project Receives Major Grant!” button_text=”Click Here” _builder_version=”4.27.0″ _module_preset=”default” header_font=”|600|on||||||” header_text_color=”#EDF000″ custom_margin=”-23px||||false|false” custom_padding=”1px||0px||false|false” global_colors_info=”{}”]\n

\ud83d\udce3 <\/strong>The member collaborative project “Critical Reorientation in the Age of Digital Technology: Intersections between Human Craft, Geopolitics, and Artistic Intervention,”<\/strong>\u00a0along with its inaugural event, the Critical Concepts Writing Workshop, has been awarded\u00a0<\/span>USD 25,000<\/em><\/strong>\u00a0from the CHCI Initiative Award.<\/span><\/p>\n[\/et_pb_cta][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”17px” global_colors_info=”{}”]\n

Critical Reorientation in the Age of Digital Technology:<\/h1>\n

\u00a0Intersections between
Human Craft, Geopolitics, & Artistic Intervention<\/h1>\n

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<\/span>Principal Investigators<\/span><\/span><\/p>\n

Joyce C.H. Liu | International Center for Cultural Studies (ICCS), National Yang Ming Chiao Tung University (NYCU), Taiwan<\/span>
Brett Neilson & Ned Rossiter | Institute for Culture and Society (ICS), Western Sydney University (WSU), Australia<\/span>
Karin Oen-Lee | Centre for Contemporary Art Singapore (CCAS), Nanyang Technological University (NTU), Singapore<\/span><\/p>\n

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Aims and Rationale<\/strong><\/span><\/p>\n


This research project seeks to critically examine the intersections of technology, politics, and art. We conceptualize “craft” through the lenses of strength, skill, force, energy, and power. Human craft encompasses not only artistic practice but also the techniques and capabilities that individuals and societies wield to manipulate surrounding environments. In this context, our exploration of human craft in the digital age adopts a bidirectional approach: one dimension examines how contemporary technologies and human craftsmanship in the digital age have reshaped our realities and our perceptions of governmentality, geopolitics, resource extraction, labor exploitation, and forced displacement. The other dimension involves artistic intervention, exploring the operational logic of digital governance observed in the field through various artistic mediums. We will showcase our findings through performance, video essays, photography, film, new media art, critical curation, etc. We aim to investigate how artistic interventions can meaningfully engage with these pressing issues to illuminate the nexus between technology and society, economy and environment.
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Problem Statement and Research Questions<\/strong><\/span><\/p>\n

The project aims to explore the following research questions:<\/span><\/p>\n

1. How have digital automation technologies driven by the chip industry accelerated capital expansion and automated operations, thereby transforming the logistics and infrastructure of production and supply chains? How has the geopolitical landscape of the 21st century, particularly in Asia-Paci\ufb01c, in\ufb02uenced strategic actions within the context of current geopolitical and geoeconomic tensions?<\/span><\/p>\n

2. In what ways has digital technology in\ufb01ltrated various facets of our societies, giving rise to new forms of governance, altering labor dynamics, and reshaping contemporary policing techniques, with focus on the Asia-Paci\ufb01c region?<\/span><\/p>\n

3. In response to the challenges posed by advancements in digital technologies, what measures and interventions can humanities scholars and artists in the Asia-Paci\ufb01c region adopt to address these issues e\ufb00ectively? Beyond traditional academic writing, what alternative forms of knowledge and artistic expression can be created? Can performance, video, photography, \ufb01lm, new media art, and critical curatorial practices help us advance this discourse?<\/span><\/p>\n

These questions will guide our investigation into the intricate relationships between technology, economy, and society, allowing us to critically assess the implications of digital transformation in the modern world.<\/span><\/p>\n

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Research Design<\/strong><\/span><\/p>\n

This comprehensive project is designed as follows:<\/span><\/p>\n

Theoretical Work<\/em>: Investigating how digital technologies today have reshaped both the reality and our understanding of governmentality, geopolitics, resource extraction, labor exploitation, forced displacement, and information, and asking how artistic intervention can critically address the above-listed issues.<\/span><\/p>\n

Geopolitical and Case Analysis<\/em>: Focusing on case studies of the impacts of the “Belt and Road Initiative” and high-tech industries on social conflicts and labor patterns. These case studies will analyze models of local intervention actions in geopolitically significant locations such as India, Sri Lanka, Nepal, Australia, Hong Kong, Poland, Germany, Africa, Central Asia, and Taiwan.<\/span><\/p>\n

Artistic Interventions and Provocation<\/em>: Scholars and artists will engage in dialogue with the field sites and concepts explored by researchers, developing artistic responses through performance, video, photography, film, new media art and critical curatorial practices.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”LAUNCH EVENT” button_text=”Click Here” _builder_version=”4.27.0″ _module_preset=”default” header_level=”h1″ header_font=”|600|||||||” header_font_size=”37px” body_font=”|700|||||||” body_font_size=”10px” custom_padding=”0px||0px||false|false” global_colors_info=”{}”]\n

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Critical Concepts Writing Workshop<\/em><\/span><\/h1>\n

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24\u201326 April 2025<\/h3>\n

Nanyang Technological University<\/h3>\n

Centre for Contemporary Art Singapore (NTU CCA Singapore)<\/h3>\n

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The\u00a0Critical Concepts Writing Workshop<\/em>\u00a0is a key event within the project\u00a0Critical Reorientation in the Age of Digital Technology: Intersections between Human Craft, Geopolitics, and Artistic Intervention<\/em>, and is part of the\u00a0CHCI Initiative: Human Craft in the Age of Digital Technologies<\/em>.<\/a><\/span><\/span><\/p>\n

\"\"<\/span><\/span><\/p>\n[\/et_pb_text][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/05\/1-scaled.jpg” title_text=”1″ align=”center” _builder_version=”4.27.0″ _module_preset=”default” width=”71%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/Critical-Reorientation-in-the-Age-of-Digital-Technology_\u9801\u9762_06.jpg” title_text=”Critical Reorientation in the Age of Digital Technology_\u9801\u9762_06″ show_in_lightbox=”on” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/Critical-Reorientation-in-the-Age-of-Digital-Technology_\u9801\u9762_07.jpg” title_text=”Critical Reorientation in the Age of Digital Technology_\u9801\u9762_07″ show_in_lightbox=”on” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”17px” global_colors_info=”{}”]\n

The Workshop invites 22 senior and early-career researchers to develop a book of 100 critical concepts collaboratively. Preparatory online meetings will be held before the workshop in Singapore to set up the collective writing.<\/span><\/p>\n

<\/span>During the on-site Workshop, participants will engage in “book sprints” to produce interdisciplinary entries in text, images, drawings, and code, fostering alternative knowledge production and experimental approaches to conceptualisation.\u00a0<\/span>
The Project is initiating two parallel processes:<\/span><\/p>\n

1. Critical Concepts Writing Workshop & Booklet<\/strong>:<\/span>
The first phase centers on developing a concept booklet through collaborative workshops. This foundational work will also inform further research and artistic experimentation. Participants are encouraged to treat this phase as a critical and creative practice.<\/span><\/p>\n

2. Visual & Multimedia Experimentation for Web Presentation:<\/span><\/strong>
Concurrently, we invite participants to experiment with visual interpretations of their concepts, including context-dependent imagery. These explorations will inform the development of our project website, which will visually map the depth and interconnections of concept clusters, especially in relation to local or regional specificities. Multimedia elements such as podcasts, video essays, and documentary clips can also be linked to individual concepts. This stage is intended to reveal the complexity of conceptual relationships, including hierarchies, sub-concepts, derivatives, cross-linking, and context-sensitive representations.<\/span><\/p>\n

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Participants<\/span><\/strong><\/h4>\n


Tias Basu<\/strong>, PhD candidate, Centre for Research in Policy, Communication and Society & Jadavpur University, India<\/span><\/p>\n

Davide Blotta<\/strong>, PhD candidate\/Research Assistant, Institute of Culture and Society, Western Sydney University\/University of Urbino, Italy\/Australia<\/span><\/p>\n

Dabashree Chakraborty<\/strong>, Research Associate, Calcutta Research Group (CRG), India<\/span><\/p>\n

Naomi Cook<\/strong>, artist\/research fellow, Western Sydney University, Australia<\/span><\/p>\n

Li Ding<\/strong>, Independent scholar\/PhD in Cultural Studies, China\/Taiwan <\/span><\/p>\n

Dattatreya Ghosh<\/strong>, PhD candidate, Centre for Research in Policy, Communication and Society & Jadavpur University, India<\/span><\/p>\n

Manas Ghosh<\/strong>, Assistant Professor\/Film scholar\/filmmaker, Centre for Research in Policy, Communication and Society & Jadavpur University, India<\/span><\/p>\n

Mingyuan Jiang<\/strong>, PhD candidate, The Australian National University, Autralisa<\/span><\/p>\n

Karin Oen-Lee<\/strong>, Director\/Senior Lecturer, Nanyang Technological University Centre for Contemporary Art, Singapore<\/span><\/p>\n

Kwang-Suk Lee<\/strong>, Professor, Graduate School Of Public Policy and Information Technology, Seoul National University of Science & Technology, South Korea<\/span><\/p>\n

Qi Li<\/strong>, PhD candidate, National Yang-Ming Chiao Tung University, Taiwan<\/span><\/p>\n

Joyce C. H. Liu<\/strong>, Professor\/Director, International Center for Cultural Studies, National Yang Ming Chiao Tung University, Taiwan<\/span><\/p>\n

Lou Mo<\/strong>, Filmmaker\/artist, Independent artist and curator, Canada\/France\/Taiwan<\/span><\/p>\n

Brett Neilson<\/strong>, Professor, Institute for Culture and Society, Western Sydney University, Australia<\/span><\/p>\n

Anh Nguyen Nu Nguyet<\/strong>, Lecturer\/Dean, Faculty of Sociology, University of Social Sciences and Humanities, Vietnam National University in Ho Chi Minh City (VNU \u2013HCM), Vietnam<\/span><\/p>\n

Dario Sanna<\/strong>, Artist, Collettivo Transhumanza, Italy<\/span><\/p>\n

Rafal Smoczynski<\/strong>, Associate Professor, Institute of Philosophy and Sociology of the Polish Academy of Sciences, Poland<\/span><\/p>\n

Rajat Kanti Sur<\/strong>, Researcher, Mahanirban Calcutta Research Group, India<\/span><\/p>\n

Dolma Tsering<\/strong>, Postdoctoral Fellow, National Yang-Ming Chiao Tung University, Taiwan<\/span><\/p>\n

Ned Rossiter<\/strong>, Professor, The Institute for Culture and Society, Western Sydney University, Autralia<\/span><\/p>\n

Abhijit Roy<\/strong>, Professor\/Head, Centre for Research in Policy, Communication and Society & Jadavpur University, India<\/span><\/p>\n

Mira Yaseen<\/strong>, independent scholar, Jordan<\/span><\/p>\n

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Organisers & Sponsorship<\/span><\/strong><\/h4>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/NYCU.png” title_text=”NYCU” url=”https:\/\/iccs.chss.nycu.edu.tw\/en\/index.php” url_new_window=”on” _builder_version=”4.27.0″ _module_preset=”default” width=”73%” max_width=”100%” custom_margin=”-3px|||36px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/ICCS_logo-1.png” title_text=”ICCS_logo-1″ url=”https:\/\/iccs.chss.nycu.edu.tw\/en\/index.php” url_new_window=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-25px|||6px|false|false” custom_padding=”|||4px|false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/ICS.jpg” title_text=”ICS” url=”https:\/\/www.westernsydney.edu.au\/ics” url_new_window=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-39px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/NTU-images.png” title_text=”NTU images” url=”https:\/\/ntu.ccasingapore.org\/” url_new_window=”on” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/cca.jpg” title_text=”cca” url=”https:\/\/ntu.ccasingapore.org\/” url_new_window=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-20px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/chci.jpg” title_text=”chci” url=”https:\/\/chcinetwork.org\/” url_new_window=”on” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/transit-asia.chss.nycu.edu.tw\/tarn\/wp-content\/uploads\/2025\/04\/chci2.jpg” title_text=”chci2″ _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-25px||||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

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